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Sam Wells

  • About
  • Work
  • Calendar
  • Contact
  • compositions
    • Oct 31, 2024 Seething Field (2024)
    • Apr 7, 2024 Invisible Museum (2024)
    • Feb 16, 2024 Aurascope (2024)
    • Nov 6, 2023 Glass Mountain (2023)
    • Jun 29, 2023 Now Time is Made Sound (2023)
    • Apr 19, 2023 The Blue of Time (2023)
    • Mar 17, 2023 The Night of the Falling Stars (2023)
    • May 22, 2022 The Road and the Stars (2022)
    • May 21, 2022 Through the dust... (2022)
    • Mar 12, 2022 The Cottonwood Florilegium (2022)
    • Dec 3, 2021 The Fig and The Wasp (2021)
    • Dec 3, 2021 Loom Telling (2021)
    • Feb 9, 2021 polymyth № 645 (2021)
    • Nov 19, 2020 mimenrosp (2020)
    • Aug 1, 2020 a moment indicative of a possibility (2020)
    • Jul 1, 2020 Four Winds (2020)
    • Apr 1, 2020 part and parcel (2020)
    • Sep 30, 2017 The Lacuna (2017)
    • Jun 13, 2017 Anamnesis (2017)
    • Mar 28, 2017 Paul (2017)
    • Jun 28, 2016 Light Is Like Water (2016)
    • Feb 5, 2016 The Leaf Has Turned to Stone (2016)
    • Apr 27, 2014 stringstrung (2014)
    • Apr 21, 2013 Leander's Swim (2013)
    • Dec 1, 2012 minong (2012)
    • Dec 1, 2010 Cameron (2010)
  • discography
    • Mar 8, 2024 Human Capital (2024)
    • Dec 22, 2023 Aurogeny (2023)
    • May 5, 2023 Havona (2023)
    • May 21, 2022 Through the dust... (2022)
    • Feb 11, 2022 #What2020SoundsLike (2022)
    • Nov 5, 2021 Memory Palace (2021)
    • Feb 14, 2020 Music from APNM (2020)
    • May 3, 2019 Spiritual America (2019)
    • Aug 3, 2018 Music from SEAMUS, vol. 27 (2018)
    • Nov 17, 2017 Decade Zero (2017)
    • Sep 8, 2017 Music from SEAMUS, vol. 26 (2017)
  • installations
    • Apr 7, 2024 Invisible Museum (2024)
    • Apr 16, 2021 Translucent Cartography [w/ Adam Vidiksis]
  • projects
    • Jun 30, 2024 SPLICE
    • Apr 8, 2024 Aeroidio
    • Mar 9, 2024 Miller/Vidiksis/Wells Trio
    • Nov 3, 2021 Scarp Records
  • software
    • Apr 8, 2024 Aeroidio
    • Apr 7, 2024 Invisible Museum (2024)
    • Feb 16, 2024 Aurascope (2024)
    • Dec 1, 2017 bw.tools
  • trumpet
    • Jun 30, 2024 SPLICE
    • Apr 8, 2024 Aeroidio
    • Mar 9, 2024 Miller/Vidiksis/Wells Trio
    • Mar 8, 2024 Human Capital (2024)
    • Dec 22, 2023 Aurogeny (2023)
    • Jun 29, 2023 Now Time is Made Sound (2023)
    • Mar 12, 2022 The Cottonwood Florilegium (2022)
    • Nov 5, 2021 Memory Palace (2021)
    • Jun 29, 2021 Cabinet by Sarah Belle Reid
    • Apr 16, 2021 Translucent Cartography [w/ Adam Vidiksis]
    • Feb 25, 2021 202102252300 [Reid & Wells]
    • Feb 25, 2021 25/02/21, part one [Miller, Vidiksis, & Wells]
    • Feb 9, 2021 polymyth № 645 (2021)
    • Jan 19, 2021 + ± [Biggs & Wells]
    • Dec 18, 2020 Steel and air, a mottled presence by Ryan Seward
    • Dec 15, 2020 Trainomorphosis by Anya Shatilova
    • Dec 15, 2020 Halogen by Jack Kraus
    • Dec 15, 2020 Additives by Aliya Ultan
    • Oct 28, 2020 High-Low II by Scott Miller
    • Jul 1, 2020 Four Winds (2020)
    • Jun 26, 2019 Ansible by Caroline Miller
    • Jun 26, 2019 Mutation (as the mark the noise leaves upon presence) by Robert Seaback
    • May 3, 2019 Spiritual America (2019)
    • Aug 3, 2018 Music from SEAMUS, vol. 27 (2018)
    • Nov 17, 2017 Decade Zero (2017)
    • Jun 19, 2017 Cross Pollination by Keith Kirchoff
    • Jun 16, 2017 ...the serpent – snapping eye by Roger Reynolds
    • Jun 28, 2016 Light Is Like Water (2016)
    • Feb 5, 2016 The Leaf Has Turned to Stone (2016)
    • Dec 1, 2012 minong (2012)
  • video
    • Nov 6, 2023 Glass Mountain (2023)
    • Jun 29, 2021 Cabinet by Sarah Belle Reid
    • Apr 27, 2021 Thethyscape by Ben Richter
    • Apr 16, 2021 Translucent Cartography [w/ Adam Vidiksis]
    • Feb 25, 2021 202102252300 [Reid & Wells]
    • Feb 25, 2021 25/02/21, part one [Miller, Vidiksis, & Wells]
    • Feb 9, 2021 polymyth № 645 (2021)
    • Jan 19, 2021 + ± [Biggs & Wells]
    • Dec 15, 2020 Halogen by Jack Kraus
    • Dec 15, 2020 Additives by Aliya Ultan
    • Nov 19, 2020 mimenrosp (2020)
    • Nov 19, 2020 Out of Focus by Alex Buck
    • Jul 1, 2020 Four Winds (2020)
    • Apr 27, 2014 stringstrung (2014)
    • Dec 1, 2012 minong (2012)
  • electronics 23
  • trumpet 18
  • Adam Vidiksis 17
  • collaboration 16
  • electroacoustic 9
  • Keith Kirchoff 8
  • SPLICE Ensemble 7
  • commission 7
  • improvisation 7
  • Scott L. Miller 6
  • SPLICE Institute 5
  • Scarp Records 5
  • Wesleyan 4
  • chamber music 4
  • drums 4
  • fixed media 4
  • Aeroidio 3
  • Chris Biggs 3
  • HOCKET 3
  • ensemble 3
  • interactive 3
  • BEEP 2
  • Ben Richter 2
  • Metropolis Ensemble 2
  • SEAMUS 2
  • Sarah Belle Reid 2
  • Temple University 2
  • kyma 2
  • multimedia 2
  • piano 2
  • video 2
  • #What2020SoundsLike 1
  • APNM 1
  • Alex Buck 1
  • Aliya Ultan 1
  • Annalee Traylor 1
  • Anya Shatilova 1
  • Arcus Collective 1
  • Benjamin Wedeking 1
  • Blue Carbon Sound 1
  • Caroline Miller 1
  • Chamber Music America 1
  • Dana Jessen 1
  • Geoffrey Wood 1
  • Heard in LA 1
  • JFund 1
  • Jack Kraus 1
  • Jeonghyeon Joo 1
  • Josh Sobel 1
  • Kenken Gorder 1

Loom Telling (2021)

December 03, 2021 in compositions

single-channel video, 3840 x 2160, binaural audio

10 minutes and 20 seconds

Wearing headphones is strongly recommended to fully experience the binaural audio.


info

Recorded in The Dizzy Gillespie Recording Studio, California Institute of the Arts
Filmed in C113, California Institute of the ArtsStarting December 1st, 2021, haegeum performer/composer

Jeonghyeon Joo, producing & haegeum performance
Sam Wells, music composition, audio mixing & mastering
Max Harper, director of photography & editing
Alex Buck, recording engineer

program note

Jeonghyeon Joo presents new work under the theme of The Art of Bowing every first day of the month until May 2022. Featured works include her solo compositions and collaborative works with composers, performers, and filmmakers based in Los Angeles and Seoul. Each of the six chapters will consist of an audiovisual piece, performance recording, or writing.

The Art of Bowing explores aesthetics and the world beyond the action of bowing, questioning what is beyond the body, sound, and movement of herself and her instrument. It first draws the aesthetic meaning of the bowing itself by putting a microscopic lens to the physicality of the haegeum and the performing body. It then captures the moment of connection and disconnection between them and expands its perspective to the environment and socio-cultural context surrounding the haegeum and body.

The Art of Bowing is made possible through the generous support from the Seoul Foundation for Arts and Culture.

Collaborators: Sam Wells, Max Harper, Tim Feeney, Sangbin Patrick Rhie, Ulrich Krieger, and Yoona Kim.

Source: https://joo.work
Tags: video, electroacoustic, collaboration, Jeonghyeon Joo, haegeum
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