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Sam Wells

  • About
  • Work
    • Featured Work
    • Works List
    • All Works
  • Calendar
  • Contact
  • compositions
    • Oct 31, 2024 Seething Field (2024)
    • Apr 7, 2024 Invisible Museum (2024)
    • Feb 16, 2024 Aurascope (2024)
    • Nov 6, 2023 Glass Mountain (2023)
    • Jun 29, 2023 Now Time is Made Sound (2023)
    • Apr 19, 2023 The Blue of Time (2023)
    • Mar 17, 2023 The Night of the Falling Stars (2023)
    • May 22, 2022 The Road and the Stars (2022)
    • May 21, 2022 Through the dust... (2022)
    • Mar 12, 2022 The Cottonwood Florilegium (2022)
    • Dec 3, 2021 The Fig and The Wasp (2021)
    • Dec 3, 2021 Loom Telling (2021)
    • Apr 16, 2021 Translucent Cartography (2021) [w/ Adam Vidiksis]
    • Feb 9, 2021 polymyth № 645 (2021)
    • Nov 19, 2020 mimenrosp (2020)
    • Aug 1, 2020 a moment indicative of a possibility (2020)
    • Jul 1, 2020 Four Winds (2020)
    • Apr 1, 2020 part and parcel (2020)
    • Sep 30, 2017 The Lacuna (2017)
    • Jun 13, 2017 Anamnesis (2017)
    • Mar 28, 2017 Paul (2017)
    • Jun 28, 2016 Light Is Like Water (2016)
    • Feb 5, 2016 The Leaf Has Turned to Stone (2016)
    • Apr 27, 2014 stringstrung (2014)
    • Apr 21, 2013 Leander's Swim (2013)
    • Dec 1, 2012 minong (2012)
    • Dec 1, 2010 Cameron (2010)
  • discography
    • Mar 8, 2024 Human Capital (2024)
    • Dec 22, 2023 Aurogeny (2023)
    • May 5, 2023 Havona (2023)
    • May 21, 2022 Through the dust... (2022)
    • Feb 11, 2022 #What2020SoundsLike (2022)
    • Nov 5, 2021 Memory Palace (2021)
    • Feb 14, 2020 Music from APNM (2020)
    • May 3, 2019 Spiritual America (2019)
    • Aug 3, 2018 Music from SEAMUS, vol. 27 (2018)
    • Nov 17, 2017 Decade Zero (2017)
    • Sep 8, 2017 Music from SEAMUS, vol. 26 (2017)
  • installations
    • Apr 7, 2024 Invisible Museum (2024)
    • Apr 16, 2021 Translucent Cartography (2021) [w/ Adam Vidiksis]
  • projects
    • Jun 30, 2024 SPLICE
    • Apr 8, 2024 Aeroidio
    • Mar 9, 2024 Miller/Vidiksis/Wells Trio
    • Nov 3, 2021 Scarp Records
  • software
    • Apr 8, 2024 Aeroidio
    • Apr 7, 2024 Invisible Museum (2024)
    • Feb 16, 2024 Aurascope (2024)
    • Dec 1, 2017 bw.tools
  • trumpet
    • Jun 30, 2024 SPLICE
    • Apr 8, 2024 Aeroidio
    • Mar 9, 2024 Miller/Vidiksis/Wells Trio
    • Mar 8, 2024 Human Capital (2024)
    • Dec 22, 2023 Aurogeny (2023)
    • Jun 29, 2023 Now Time is Made Sound (2023)
    • Mar 12, 2022 The Cottonwood Florilegium (2022)
    • Nov 5, 2021 Memory Palace (2021)
    • Jun 29, 2021 Cabinet by Sarah Belle Reid
    • Apr 16, 2021 Translucent Cartography (2021) [w/ Adam Vidiksis]
    • Feb 25, 2021 202102252300 [Reid & Wells]
    • Feb 25, 2021 25/02/21, part one [Miller, Vidiksis, & Wells]
    • Feb 9, 2021 polymyth № 645 (2021)
    • Jan 19, 2021 + ± [Biggs & Wells]
    • Dec 18, 2020 Steel and air, a mottled presence by Ryan Seward
    • Dec 15, 2020 Trainomorphosis by Anya Shatilova
    • Dec 15, 2020 Halogen by Jack Kraus
    • Dec 15, 2020 Additives by Aliya Ultan
    • Oct 28, 2020 High-Low II by Scott Miller
    • Jul 1, 2020 Four Winds (2020)
    • Jun 26, 2019 Ansible by Caroline Miller
    • Jun 26, 2019 Mutation (as the mark the noise leaves upon presence) by Robert Seaback
    • May 3, 2019 Spiritual America (2019)
    • Aug 3, 2018 Music from SEAMUS, vol. 27 (2018)
    • Nov 17, 2017 Decade Zero (2017)
    • Jun 19, 2017 Cross Pollination by Keith Kirchoff
    • Jun 16, 2017 ...the serpent – snapping eye by Roger Reynolds
    • Jun 28, 2016 Light Is Like Water (2016)
    • Feb 5, 2016 The Leaf Has Turned to Stone (2016)
    • Dec 1, 2012 minong (2012)
  • video
    • Nov 6, 2023 Glass Mountain (2023)
    • Jun 29, 2021 Cabinet by Sarah Belle Reid
    • Apr 27, 2021 Thethyscape by Ben Richter
    • Apr 16, 2021 Translucent Cartography (2021) [w/ Adam Vidiksis]
    • Feb 25, 2021 202102252300 [Reid & Wells]
    • Feb 25, 2021 25/02/21, part one [Miller, Vidiksis, & Wells]
    • Feb 9, 2021 polymyth № 645 (2021)
    • Jan 19, 2021 + ± [Biggs & Wells]
    • Dec 15, 2020 Halogen by Jack Kraus
    • Dec 15, 2020 Additives by Aliya Ultan
    • Nov 19, 2020 mimenrosp (2020)
    • Nov 19, 2020 Out of Focus by Alex Buck
    • Jul 1, 2020 Four Winds (2020)
    • Apr 27, 2014 stringstrung (2014)
    • Dec 1, 2012 minong (2012)
  • electronics 23
  • trumpet 18
  • Adam Vidiksis 17
  • collaboration 16
  • electroacoustic 9
  • Keith Kirchoff 8
  • SPLICE Ensemble 7
  • commission 7
  • improvisation 7
  • Scott L. Miller 6
  • SPLICE Institute 5
  • Scarp Records 5
  • Wesleyan 4
  • chamber music 4
  • drums 4
  • fixed media 4
  • Aeroidio 3
  • Chris Biggs 3
  • HOCKET 3
  • ensemble 3
  • interactive 3
  • BEEP 2
  • Ben Richter 2
  • Metropolis Ensemble 2
  • SEAMUS 2
  • Sarah Belle Reid 2
  • Temple University 2
  • kyma 2
  • multimedia 2
  • piano 2
  • video 2
  • #What2020SoundsLike 1
  • APNM 1
  • Alex Buck 1
  • Aliya Ultan 1
  • Annalee Traylor 1
  • Anya Shatilova 1
  • Arcus Collective 1
  • Benjamin Wedeking 1
  • Blue Carbon Sound 1
  • Caroline Miller 1
  • Chamber Music America 1
  • Dana Jessen 1
  • Geoffrey Wood 1
  • Heard in LA 1
  • JFund 1
  • Jack Kraus 1
  • Jeonghyeon Joo 1
  • Josh Sobel 1
  • Kenken Gorder 1

Mutation (as the mark the noise leaves upon presence) by Robert Seaback

June 26, 2019 in trumpet
Tags: SPLICE Ensemble, SPLICE Institute, electroacoustic, trumpet, Robert Seaback, Keith Kirchoff, Adam Vidiksis
← Ansible by Caroline MillerSpiritual America (2019) →
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