About
Work
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About
Work
Calendar
Contact

compositions
- Oct 31, 2024 Seething Field (2024)
- Apr 7, 2024 Invisible Museum (2024)
- Feb 16, 2024 Aurascope (2024)
- Nov 6, 2023 Glass Mountain (2023)
- Jun 29, 2023 Now Time is Made Sound (2023)
- Apr 19, 2023 The Blue of Time (2023)
- Mar 17, 2023 The Night of the Falling Stars (2023)
- May 22, 2022 The Road and the Stars (2022)
- May 21, 2022 Through the dust... (2022)
- Mar 12, 2022 The Cottonwood Florilegium (2022)
- Dec 3, 2021 The Fig and The Wasp (2021)
- Dec 3, 2021 Loom Telling (2021)
- Feb 9, 2021 polymyth № 645 (2021)
- Nov 19, 2020 mimenrosp (2020)
- Aug 1, 2020 a moment indicative of a possibility (2020)
- Jul 1, 2020 Four Winds (2020)
- Apr 1, 2020 part and parcel (2020)
- Sep 30, 2017 The Lacuna (2017)
- Jun 13, 2017 Anamnesis (2017)
- Mar 28, 2017 Paul (2017)
- Jun 28, 2016 Light Is Like Water (2016)
- Feb 5, 2016 The Leaf Has Turned to Stone (2016)
- Apr 27, 2014 stringstrung (2014)
- Apr 21, 2013 Leander's Swim (2013)
- Dec 1, 2012 minong (2012)
- Dec 1, 2010 Cameron (2010)
discography
- Mar 8, 2024 Human Capital (2024)
- Dec 22, 2023 Aurogeny (2023)
- May 5, 2023 Havona (2023)
- May 21, 2022 Through the dust... (2022)
- Feb 11, 2022 #What2020SoundsLike (2022)
- Nov 5, 2021 Memory Palace (2021)
- Feb 14, 2020 Music from APNM (2020)
- May 3, 2019 Spiritual America (2019)
- Aug 3, 2018 Music from SEAMUS, vol. 27 (2018)
- Nov 17, 2017 Decade Zero (2017)
- Sep 8, 2017 Music from SEAMUS, vol. 26 (2017)
installations
- Apr 7, 2024 Invisible Museum (2024)
- Apr 16, 2021 Translucent Cartography [w/ Adam Vidiksis]
projects
- Jun 30, 2024 SPLICE
- Apr 8, 2024 Aeroidio
- Mar 9, 2024 Miller/Vidiksis/Wells Trio
- Nov 3, 2021 Scarp Records
software
- Apr 8, 2024 Aeroidio
- Apr 7, 2024 Invisible Museum (2024)
- Feb 16, 2024 Aurascope (2024)
- Dec 1, 2017 bw.tools
trumpet
- Jun 30, 2024 SPLICE
- Apr 8, 2024 Aeroidio
- Mar 9, 2024 Miller/Vidiksis/Wells Trio
- Mar 8, 2024 Human Capital (2024)
- Dec 22, 2023 Aurogeny (2023)
- Jun 29, 2023 Now Time is Made Sound (2023)
- Mar 12, 2022 The Cottonwood Florilegium (2022)
- Nov 5, 2021 Memory Palace (2021)
- Jun 29, 2021 Cabinet by Sarah Belle Reid
- Apr 16, 2021 Translucent Cartography [w/ Adam Vidiksis]
- Feb 25, 2021 202102252300 [Reid & Wells]
- Feb 25, 2021 25/02/21, part one [Miller, Vidiksis, & Wells]
- Feb 9, 2021 polymyth № 645 (2021)
- Jan 19, 2021 + ± [Biggs & Wells]
- Dec 18, 2020 Steel and air, a mottled presence by Ryan Seward
- Dec 15, 2020 Trainomorphosis by Anya Shatilova
- Dec 15, 2020 Halogen by Jack Kraus
- Dec 15, 2020 Additives by Aliya Ultan
- Oct 28, 2020 High-Low II by Scott Miller
- Jul 1, 2020 Four Winds (2020)
- Jun 26, 2019 Ansible by Caroline Miller
- Jun 26, 2019 Mutation (as the mark the noise leaves upon presence) by Robert Seaback
- May 3, 2019 Spiritual America (2019)
- Aug 3, 2018 Music from SEAMUS, vol. 27 (2018)
- Nov 17, 2017 Decade Zero (2017)
- Jun 19, 2017 Cross Pollination by Keith Kirchoff
- Jun 16, 2017 ...the serpent – snapping eye by Roger Reynolds
- Jun 28, 2016 Light Is Like Water (2016)
- Feb 5, 2016 The Leaf Has Turned to Stone (2016)
- Dec 1, 2012 minong (2012)
video
- Nov 6, 2023 Glass Mountain (2023)
- Jun 29, 2021 Cabinet by Sarah Belle Reid
- Apr 27, 2021 Thethyscape by Ben Richter
- Apr 16, 2021 Translucent Cartography [w/ Adam Vidiksis]
- Feb 25, 2021 202102252300 [Reid & Wells]
- Feb 25, 2021 25/02/21, part one [Miller, Vidiksis, & Wells]
- Feb 9, 2021 polymyth № 645 (2021)
- Jan 19, 2021 + ± [Biggs & Wells]
- Dec 15, 2020 Halogen by Jack Kraus
- Dec 15, 2020 Additives by Aliya Ultan
- Nov 19, 2020 mimenrosp (2020)
- Nov 19, 2020 Out of Focus by Alex Buck
- Jul 1, 2020 Four Winds (2020)
- Apr 27, 2014 stringstrung (2014)
- Dec 1, 2012 minong (2012)

horn

Anamnesis (2017)

June 13, 2017 in compositions

horn and electronics

Tags: horn, SPLICE Institute, electronics, Lin Foulk Baird, commission

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